The Monk's Parlour
2nd October - 24 October 2010
Claire Lambe, Callum Perry, Lisa Young
The Monk’s Parlour
This exhibition draws inspiration from Sir John Soane’s (1753 -1837)
eccentric London museum with its eclectic collection of curiosities,
antiquities, the Picture Room crammed with paintings on folded screens,
and below in the basement the Monk’s Parlour.
‘The Parlour contains a medley of objects, most, though by no means all,
of a medieval character and intended to produce an atmosphere of studious
gloom and to “impress the spectator with reverence for the monk’ (The
Museum 2001:36)
Soane’s intentionally created a whimsical and quirky profile for this
space that included a fictional character Padre Giovanni and the Monk’s
Grave in the courtyard that contains the entombed remains of his late
wife’s dog, Fanny. As a collector and museologist his approach to the
accumulation and arrangement of objects was broad and seemingly lacked
the clear themes, relationships or pedagogical value associated with
traditional museum collections.
‘The Monk’s Parlour’, a collaborative exhibition by Claire Lambe, Callum
Perry and Lisa Young, threads together an idiosyncratic body of work
that plays with history and museum methods of display to reflect on contemporary
culture. The artworks feed off each other creating an energy and vitality
that moves beyond referencing collectors, collections, or the individual
object.
Claire Lambe’s collection of objects has been made not acquired, and
reflects an ongoing fascination with body materiality, decay, the abject,
and ugliness, that can produce feelings of repulsion or desire. In particular,
these concepts are explored through wax and bronze phallic sculptures
that articulate the ephemeral and flawed nature of man and materials.
Callum Perry sculptures titled Standards 1, 2, and 3, each represent
a life phase – youth, middle and old age. Cast in polyurethane (one partially
in epoxy resin), the figures are stylistically influenced by the work
of Giacometti, Picasso and Matisse. In checkerboard black and white,
the figures embedded on organic pedestals have a totemic quality evoking
a mythological, tribal past.
Lisa Young has used a traditional lithographic process to create a dystopian
landscape that includes part of the Monk’s Parlour floor plan, abstracted
and blended into this imaginary space. The print creates a ghostly perspective
that taps into dusty memories associated with museums, their labyrinthine
rooms, and an architectural style imbued with history and a classical
antiquarianism.
Text by Christine Schmidt
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